Editing is not just my livelihood, editing is a part of who I am. I do what I do, because I want to be a part of sharing meaningful stories with people that have a positive impact on their lives.
What I'm truly good at is really deep collaboration. I can take notes, I can share my opinions, I can handle criticism, and I can take ideas and concepts that may be hard to articulate and give them a voice on the screen.
My great strength is helping directors and producers come together and marry ideas into a singular vision. Because at the end of the day story is king, isn't it?
I’m very creatively oriented. I’m exceptional at reading performance, dealing with complex structures, and crafting each scene, knowing through experience that the final version of the story is created in the editing room. I also personally craft the music and sound so that they are married to the picture in an elegant and refined way to express the intent of the edit.
In short...any issue that comes up in production will not stop me from telling your story in post.
Within the first year of moving to Los Angeles, I was cutting indie features in the LA circuit with stars such as Lou Diamond Phillips, Danny Trejo, Lea Thompson, and Nicolas Cage.
My most recent editorial work includes a Christmas comedy starring Lindsay Lohan
called Falling for Christmas which premieres on Netflix in November 2022, and the
Peacock series Pitch Perfect: Bumper in Berlin, a spin-off of the wildly popular Pitch
Perfect movies, which is also set to premiere November 2022. Other credits include
Inheritance, starring Simon Pegg and Lily Collins, which was featured at the 2020
Tribeca Film Festival, and the second season of Zoey's Extraordinary Playlist for NBC.
I’m also committed to mentoring and helping young editors achieve their goals in post and for the last few years I’ve been an ACE Internship sponsor.
I’m Los Angeles based and I look forward to working with you and sharing in this collaborative process to create a phenomenal version of your story.